How long does it take before you're comfortable enough to just snap into it? ‘Cause I’m not. Fuck yeah, let’s do it!” You know? Watch The Tonight Show Starring Jimmy Fallon highlight 'Tame Impala: Borderline' on NBC.com STEREOGUM: Years ago you guys did some work with SZA, but it never emerged. Not always taste-wise as in being into the exact same artists, but we just think the same things are sick. Do you actually feel this way, or is this just the post-album emotional hangover? "It was around the time I was so inside my own head and just completely lacking in perspective," he says. Has success brought more confidence or do you worry about how things are going to be received? But it won't stop me trying. I didn't watch TV. And that might be because it was a song that I spent the least amount of time on, which actually now that I'm thinking about it, is actually quite profound. No, I'd love to say there was an enlightening, 10-day silent meditation trip, but it really wasn't. He likens it to Lego, the idea of "creating something from nothing." But that's why I desperately wanted to have the album out because I wanted to play new music. The Slow Rush is released worldwide in 14 February. Your first gigs start soon. I think the label got in touch with them, or maybe because I put it online and it became this kind of public thing, they got in touch with us and they were super apologetic. So I did the best damn fuckin’ stems printing I’ve ever done. Oh, no, there's always that concern. Could those unbidden melodies be his mind's way of filling up the space where voices suddenly weren't? "There's no song that sounds exactly like I imagined it, because when you imagine it, it doesn't really exist. Thus far hospitalization has not been necessary. But like I said, me playing my music to other people is a time of the sun coming back down to earth. And it makes all the difference. It's how he writes all his music: first, inspiration; then what can seem like an endless process of reshaping until the corporeal thing is close enough to the imaginary thing. This was notable for … Apple Music's Zane Lowe speaks with Tame Impala frontman, Kevin Parker, about their new album, The Slow Rush. I was writing lyrics up until the hour that I finished it. So I always wanted to make music with other people. Kevin Parker chose wisely. She’s obviously a busy person, so no, I didn’t chat with her. It’s classic Mike Skinner ’cause it’s kind of funny, it’s kind of true and poignant at the same time. And so the difference between the best person in the world and a total novice is just where you decide to put those kick drums and those snares. With Gaga, that’s what drives her is feeling like a true artist. He still does. I don’t know. It was more just like, 'I'm just gonna do this because it seems like a good idea'. I can’t speak for her, I don’t know. Tame Impala’s Kevin Parker Talks Todd Rundgren, Expecting the Unexpected, and Why Being a Tame Impala Fan Takes Dedication Did I really feel those things? He’s just really into what he does and is so dedicated. The idea that my albums only occupy a small area of the world of music kind of annoys me. Which is something very close to my heart because I’m rubbish at getting back. For me, the music I imagine making is for people listening to by themselves. anyway in a lot of settings. STEREOGUM: Did you ever talk to her or meet her or discuss the track at all? Being the best thing he's ever made, it's a lovely Valentine's Day gift to the world. We did a bunch of stuff, but as with all things, I’m not sure if any of that will surface. There's no one telling you to just release it? Ultimately, they opted to quarantine Down Under. Is that part of that? And he was really into it the whole time as well. Which is what I fuckin’ love about him. We’re kindred spirits. I'm one of those people that's infinitely curious about things, as well. I feel like there's a kind of a magical, mystical way of me making music that will just be, you know, easy. Pax Narco: Life and Death in the City of El Chapo, Why Prince Charles Is the Best Dressed Royal, What We Know And Can Agree On: Wikipedia At 20, Jessie Buckley And Charlie Kaufman In Conversation, Welcome To The Age Of The All-Electric Hypercar, Josh O'Connor On 'The Crown' And Prince Charles, How Rubber Bullets Kill, From Belfast To #BLM, styling by James Sleaford | Photographs by Danny Lowe, ESQUIRE, PART OF THE HEARST UK FASHION & BEAUTY NETWORK. At least to my knowledge. Like it came from a part of me that wasn't calculated, where I don't know where that came from. They have exactly the same software. They taught me so much about storytelling in songwriting and having such a strong personality in your music. I can't emphasise enough how important it is to me to feel like I'm just outside my safe zone. He speaks to Esquire about forgiveness and perfectionism. It was like a problem to solve, a puzzle to piece together. Is it tough to collaborate when you've got that urge towards solitariness? The tour was nice and all, but shouldn't Parker be in the studio? PARKER: Oh, many, many have been visited. I spend by far the most amount of time on drums and rhythms of my songs than any other part. STEREOGUM: I don’t know that much about the art of production. But I didn’t meet him until like a year later, whenever “Fuckin’ Problems” came out. Mark is someone I've been super close with for a long time now, so it's much easier for me, but the big difference is because I've never been able to separate creative time from social time, I know that I piss Mark Ronson off sometimes. Which is kind of like my M.O. Their ocean-crossing summer tour has seen them play venues from beach-side festivals to muddy British fields; a clear indication of their undisputed status as a formidable live act. 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