Gear Addict . The danger of compressing on the way in is that if you later decide you don't like the settings you used, it's too late to change them. I understand these are opinions and are subjective, however, I am curious to know the importance of a 1176 Compressor in a professional vocal studio, focussed on Pop/Rock music. 28th October 2019 #2. It beats most of my plugins; wonderful tonality. The venerable and very useful 1176 compressor from Universal Audio has few controls but they are powerful and sometimes confusing. They both impart a different character to the vocal, but the 1176 is technically more flexible. Share Quote. Is it required 2. KevinNYC. I don't have a personal overall favorite because the "better" choice depends on the vocalist, imo, though with a gun to my head I'd go with the 1176. Threshold: –9dB; Ratio: 2:1; Attack: <1 ms; Release: About 50 ms; Gain: Match the input level and output level. UA 1176 Compressor Settings Tutorial. SSL Bus Comp vocal tracking settings. Seems as if there are many opinions on compression during tracking of Vocals 1. If you're looking to BUY one, my advice is to try/buy a Purple MC77. I got a question for you guys. In the days of tape, you had to compress on the way in, because the recorder's dynamic range wasn't wide enough to cope with raw vocal recordings, but that's not the case with modern digital systems. Honest. Would love to hear your experience/recommended settings. Consider a lead vocal that was compressed during tracking and is also being compressed in real time during mixdown. For lush lead and choirs, the LA2A is golden on its own. The final classic vocal‑processing contender is Urei's 1176 (and the same marque's near‑identical stereo 1178). I've yet to use it to track male indie rock vocals, but what approach/settings would occur to you folks for that purpose? My only outboard is a Chameleon Labs 7721 SSL bus style compressor. If so, how much compression 3. If you are mixing this lead vocal, among other sounds, through a bus compressor, the lead vocal itself will become even more compressed if it is the loudest part of the mix. I would say, I would put an 1176 more times than not in front of any vocal that is remotely aggressive followed by the LA2A ( or vise versa :biggrin. It's a touch better than my vintage 1176. In this video Fab explains all relevant settings and shows example on how to make the best of them in a musical way. Vocal Tracking with an 1176 AND a Distressor (in series) Hi all, Has anyone had experience using an 1176 in combination with a Distressor (perhaps in LA-2A emulation mode) to track vocals? Whereas the 670's valves are smooth and warm, the 1176's equally fast FET‑based design brightens the tone and adds extra edge and excitement in a way that has made it a fixture on vocals for many top engineers for a half‑century. Cheers and thanks! Standard compressor settings for lead vocals. 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